After the Fall: Why me?

“80-year-old fall!”

When I heard the triage nurse’s call, I realized I had a new label. I was waiting with two ambulance attendants in the ER corridor, in line for an empty bed. They can call it emergency, but hospitals in general involve a lot of waiting. That allows time for pondering.

Ponder this: How is it that Seattle citizens, accustomed to walking around prone bodies on the sidewalk without even slowing down, would rush to my assistance as I lay facedown on hard concrete?

Welcome to my world of privilege. I was nearly 20 when I began to realize that I was privileged through no fault of my own. I was born white, middle class (not a lot of money but enough), a U.S. citizen, raised in a two-parent household by parents who habitually expressed love for each other and their children. I thought that was normal. 

With every passing decade and cultural crises of domestic violence, sexual abuse, family trauma, systemic racism, homelessness, social injustice at every turn, my privilege becomes harder to bear. Not until I work through the guilt and humbly lament can my privilege be fully acknowledged and appreciated.

People fall on Seattle sidewalks all the time. I’ve watched it happen. The falls I’ve witnessed unfold in slow motion. The faller leans forward from the waist, bends their knees, and lowers their body, ever so slowly escaping into the inevitable neverland of  gravity and drug OD.

My fall occurred instantaneously, as if the uneven sidewalk suddenly rose up, smacking my body like a thousand sledge hammers. Before I could figure out what happened, people — total strangers — hurried to help. I have to ask, “Why me?” Not the victim’s why me. Not the why me of Job or anyone who disputes bad events that are supposedly unjust, undeserved. 

I suspect people rushed to my aid because I wear my 80 years of privilege like a shining coat of armor: silver-haired matron in age-appropriate, subdued clothing, walking briskly, could even be heading home from church (which I happened to be). I was safe. My needs were simple: help me up. Maybe call an ambulance. Lots of Good Samaritans on hand. 

I think the Samaritan’s story can be misinterpreted. It’s not that we’re called to assist every needy person we come across. We are to acknowledge both their needs and our ability or inability to meet those needs. I as an individual cannot help the fellow human who is comatose in the building alcove. I can, however, join with others in community who, as a community, have the power to help, to make a difference. Even the Samaritan didn’t act on his own. He took the robbery victim to an inn where he presumably was known. He trusted the innkeeper to provide appropriate care, and the innkeeper trusted him to make good on the bill. That’s community.

I declined suggestions of an ambulance and got a Lyft ride home. After an hour of icing, I had to admit my injuries were worse than I could heal on my own. Again as a privileged person with an insurance card in her wallet (10 percent of Americans STILL don’t have insurance and others are under-insured), I called an ambulance.

Diagnosis: fractures of the left radius (elbow) and right patella (kneecap) along with a colorful variety of bruises and abrasions. Next comes elbow surgery followed by rehab. Then — date uncertain — back home, all because I’m privileged. Once back home they’ll call me by my name, or occasionally “Apartment 13-A.” Just not “80-year-old fall.”

That selfie is not at all flattering, and honestly, it looks worse than it feels.

Leaf-Taking: It’s hard to let go

We were walking through downtown Seattle’s paradoxical Freeway Park. When you stroll among the park’s lush trees, flowering shrubs and patches of green grass, you’re actually on a lid covering a concrete parking lot and the hectic traffic of Interstate 5.

Two friends and I had just toured the collection of Northwest art at the Arch Convention Center. We were savoring the experience when one of my companions picked up a leaf that had been lying on top of a concrete barrier, as if someone or some spirit had carefully placed it there.

“Look at this!” she exclaimed. “How beautiful!”

Moments earlier we’d been engaging with larger-than-life abstract paintings representing scenes of the Northwest. Now here was nature’s own abstract: exquisitely colored patterns on a six-inch leaf. Nature imitating art imitating nature. 

The design reminded me of antique maps. When they were produced centuries ago, the maps were more products of speculation than settled geography. I recall standing in a British museum, staring at a supposed map of the world, drawn around 1100 CE. It was wildly different from global maps of today but suggested a planet I’d like to visit. Imagined continents were colored in nature’s hues and sharply outlined, surrounded by pale blue seas.

I held the leaf in the palm of my hand, and considered its rust-hued archipelago floating on a multi-shaded green sea. The islands were outlined in thick black, as if one of nature’s elves had laboriously drawn their ragged shorelines with a Sharpie.

Our other companion observed that if I wanted to keep the leaf, I’d have to coat it in wax. I couldn’t imagine struggling with melted wax in my compact kitchen. Maybe, I thought, I could laminate it. I shook my head at the irony. I’m earnestly trying to reduce my use of plastics, yet here I was, considering shrouding nature’s art in that toxic substance?! Yes, I’d like to keep the leaf, but … but … but

Oh, how we battle to not let go — until we have no choice. 

I was pretty sure it was a laurel leaf, but I checked it out with the “Picture This” app on my phone. The app informed me it’s a species of magnolias, also known as “Big laurel,” and declared an alarm in bright-red letters: THIS PLANT IS SICK!

I looked around at the grove of tall, graceful magnolias. I’m no arborist, but they appear healthy. New green foliage seems to be pushing the old brown leaves onto the ground. Or maybe the old leaves are voluntarily making space for the next generation. Are the beautiful images on the dying leaves a last-gasp aria?

As captives of a death-denying culture, it’s difficult for us to see any beauty in dying. Yet much great art through the centuries has depicted exactly that. J.S. Bach’s compelling chorale, “Komm, süsser Tod,” pleads: Come, sweet death, come, blessed rest! Come lead me to peace for I am weary of the world, O come! 

Even though I recently turned eighty, I’m not ready to embrace Bach’s sentiments just yet. I’m more in league with Robert Frost whose poem “Birches” celebrates his boyhood delight in swinging on tree branches, up, up towards heaven. But, he cautions, “May no fate willfully misunderstand me … and snatch me away/ Not to return. Earth’s the right place for love …”

At least for now. 

The colored leaf lay on my table for several days, a temporary totem. Then I gently, reverently put it to rest in the compost bin. Ashes to ashes, dust to dust.