When Fate Turns the Page: Time to start a new chapter

The thunder of U.S. Navy “Blue Angels” skimming the tops of Seattle skyscrapers reminded me it was a one-year anniversary. On the morning of Aug. 2, 2023, I was in Portland, saying that impossible, final goodbye to Lee, my soul brother for more than fifty years. 

“We’re both going on a journey, but in different directions,” I said to him, leaning close to kiss his cheek. He whispered something I couldn’t understand, but words no longer mattered. We both knew that. I got in my car, dry-eyed with a sobbing heart, and drove north to Seattle. A chapter in my life had just ended. Maybe the whole book. Maybe I was driving into the epilogue. 

All those years ago, Lee and wife Mary Lou had stood as witnesses when John and I married. It was like a marriage of marriages, a foursome. As couples, we never lived close to each other, often thousands of miles apart. Yet we’d travel those miles to share slices of life. Our foursome dwindled as John died in 2007, Mary Lou in 2020. Lee and I soldiered on. Frequent phone calls. Occasional visits. We’d talk idly about road trips we might take together, but we’d both seen plenty of road. And now, here I was, back on the road, the lone survivor. 

I had an appointment to see an apartment in Horizon House, a retirement community on Seattle’s First Hill. I’d visited a few months earlier and fell in love with the location, energy and philosophy. People move here not to retire and die but to live, contribute, and matter. Still, I was skeptical. I’d been invited to look at a studio apartment. I couldn’t imagine a studio large enough for me, much less my “stuff.”

I asked my niece Sandy to join me. A savvy realtor, she poses the questions that never occur to me. The sales rep unlocked the door to 13-A, and I walked straight to the window, all of twelve paces. Windows have always been the most important feature of anywhere I’ve lived. What would I be viewing? An urban valley of rooftops in the foreground ringed by a horizon of office and apartment towers. Columbia Center, Seattle’s tallest building at 72 floors, loomed above the rest, piercing an endless blue sky.

That’s when we heard the thunder. Not a rain cloud to be seen but jets skimming through the air with gasp-inducing precision. Seattle’s annual Seafair celebration, complete with aerial show. I teased the sales rep about arranging a spectacle as part of her marketing ploy.

With or without jets — especially without, I decided the view would keep me adequately absorbed. After decades of living on a riverbank, I’d be watching a different kind of wildlife on the busy streets thirteen floors down. The studio was big enough for me, and the storage unit in the basement large enough for my stuff. For the next three months I lived in an emotional vortex as I prepared to  move. I celebrated and mourned the ties with people and place that had bound me to the Okanogan country of eastern Washington for forty-four years. I’ll never become untied.

While I’ve lived in Horizon House only nine months (an appropriate gestation period), I’m convinced I made the right decision. And here again are the Blue Angels. Thrilling as the aerial shows are, a growing number of voices object to the noise and environmental consequences. Protesters argue that each jet burns about 1,500 gallons of fuel per hour. Each air show puts some 650 metric tons of CO2 into the atmosphere of an earth desperate to reduce carbon emissions. The Blue Angels may not be around forever, nor will I. But I’m here for at least another chapter.

Leaf-Taking: It’s hard to let go

We were walking through downtown Seattle’s paradoxical Freeway Park. When you stroll among the park’s lush trees, flowering shrubs and patches of green grass, you’re actually on a lid covering a concrete parking lot and the hectic traffic of Interstate 5.

Two friends and I had just toured the collection of Northwest art at the Arch Convention Center. We were savoring the experience when one of my companions picked up a leaf that had been lying on top of a concrete barrier, as if someone or some spirit had carefully placed it there.

“Look at this!” she exclaimed. “How beautiful!”

Moments earlier we’d been engaging with larger-than-life abstract paintings representing scenes of the Northwest. Now here was nature’s own abstract: exquisitely colored patterns on a six-inch leaf. Nature imitating art imitating nature. 

The design reminded me of antique maps. When they were produced centuries ago, the maps were more products of speculation than settled geography. I recall standing in a British museum, staring at a supposed map of the world, drawn around 1100 CE. It was wildly different from global maps of today but suggested a planet I’d like to visit. Imagined continents were colored in nature’s hues and sharply outlined, surrounded by pale blue seas.

I held the leaf in the palm of my hand, and considered its rust-hued archipelago floating on a multi-shaded green sea. The islands were outlined in thick black, as if one of nature’s elves had laboriously drawn their ragged shorelines with a Sharpie.

Our other companion observed that if I wanted to keep the leaf, I’d have to coat it in wax. I couldn’t imagine struggling with melted wax in my compact kitchen. Maybe, I thought, I could laminate it. I shook my head at the irony. I’m earnestly trying to reduce my use of plastics, yet here I was, considering shrouding nature’s art in that toxic substance?! Yes, I’d like to keep the leaf, but … but … but

Oh, how we battle to not let go — until we have no choice. 

I was pretty sure it was a laurel leaf, but I checked it out with the “Picture This” app on my phone. The app informed me it’s a species of magnolias, also known as “Big laurel,” and declared an alarm in bright-red letters: THIS PLANT IS SICK!

I looked around at the grove of tall, graceful magnolias. I’m no arborist, but they appear healthy. New green foliage seems to be pushing the old brown leaves onto the ground. Or maybe the old leaves are voluntarily making space for the next generation. Are the beautiful images on the dying leaves a last-gasp aria?

As captives of a death-denying culture, it’s difficult for us to see any beauty in dying. Yet much great art through the centuries has depicted exactly that. J.S. Bach’s compelling chorale, “Komm, süsser Tod,” pleads: Come, sweet death, come, blessed rest! Come lead me to peace for I am weary of the world, O come! 

Even though I recently turned eighty, I’m not ready to embrace Bach’s sentiments just yet. I’m more in league with Robert Frost whose poem “Birches” celebrates his boyhood delight in swinging on tree branches, up, up towards heaven. But, he cautions, “May no fate willfully misunderstand me … and snatch me away/ Not to return. Earth’s the right place for love …”

At least for now. 

The colored leaf lay on my table for several days, a temporary totem. Then I gently, reverently put it to rest in the compost bin. Ashes to ashes, dust to dust.

We Don’t Know What’s Ahead (thank God)

Surely one of the greatest gifts Creator bestowed on humanity is our short-sightedness. We can celebrate New Year’s Eve with abandon because we have no idea what’s just around the corner. 

I’m thinking back to Dec. 31, 2022, when I quietly observed the passing of the year in my cozy home on the river. If I’d foreseen that 2023 would include the deaths of three of my dearest friends and that by the next New Year’s Eve I’d be living on the thirteenth floor of a Seattle high-rise — I believe I’d have gone to bed, pulled the covers over my head, and never come out again. 

When I do know of coming events, they tend to loom rather than promise. I’m pessimistic when I needn’t be. Example: plans for my massive, three-day moving sale filled me with dread. It turned out to be one of the best, most fun parties I’ve ever hosted.

I look back on this year of tumult — globally and in my personal life — with both mourning and gratitude. I mourn the loss of life and separation from friends. I’m grateful for the love that has supported and sustained me, and the Divine Love that persists in sustaining us all.

Overview of Omak, WA, a slice of the Okanogan Valley and Tiffany Mountains in the distance

In November, I expressed my gratitude in a letter meant for publication in the newspaper that my husband and I long ago owned. For unknown reasons, my words never made it into print. I’ve been assured the letter will be published in the next edition. Just in case, though, and because not everyone subscribes to that (or sad to say, any) newspaper, I decided to share it here. It’s a love letter, a fond farewell to an exquisite valley that stretches across an international boundary, a valley bordered by vital shrubsteppes that climb to forested mountains, a valley thinly populated with generous, kindly people:

“When I recently moved from the Okanogan Valley to Seattle, I left behind something important: a large part of my heart. For more than forty-four years I have been nurtured and inspired by the beauty of the Okanogan landscape and the vibrancy of her people. 

“It is a joy and honor to be part of a community that is so committed and supportive. This was especially true during the fourteen years after a devastating stroke paralyzed my late husband, former Chronicle publisher John E. Andrist. That same level of care and support prevailed as I prepared to move. Friends, family and neighbors generously stepped up to help with the many challenges. 

“I’d love to name names, but I fear leaving someone out. I especially thank members of various groups: Okanogan Valley Orchestra and Chorus (OVOC), St. Anne’s Episcopal Church, the NonViolent Communication practice group (LOLO – Language Of Life in the Okanogan), and a particular circle of women who joyfully share their creativity and love of beauty. 

“The part of my heart that I’ve managed to hang onto is deeply grateful.”

As we move into a new year, many prognosticators are planting seeds of fear and foreboding. I would remind us of Casey Stengel’s wisdom: “Never make predictions, especially about the future.” Blissfully ignorant, may we lurch onward.